A Continuous Bloom

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In August Nicole Sealey essayed for the NYR Online a consideration of Cowboy Carter, Beyoncé’s Beyoncé–cum–country album, that doubled as a history of Black people’s contributions to the genre. “Country music by Black artists obviously exists,” Sealey wrote, “and has ever since the genre’s beginnings, but one is usually hard pressed to hear Black country songs on the […]
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