Steven Spielberg grants that his 1977 UFO film Close Encounters was "speculative," writes the Associated Press, but "Disclosure Day, he insists, is the real deal."
"It's my first film that will be considered science fiction that I do not consider to be science fiction," Spielberg said in a recent interview. "It's much more reflective of the world as it is evolving and discoveries that are being made as we speak." Spielberg, at 79, is trying to revive and reconsider the alien wonder that's long lingered in his mind, from "E.T." to "War of the Worlds." "Disclosure Day," Spielberg's first summer movie in a decade, is already being hailed as one of his best in years. But this time, Spielberg is testing whether he can conjure some of his trademark movie magic less with imagination than with conviction. "I've been a believer since I made 'Close Encounters' 50 years ago," Spielberg says. "But I would always say: Until I've seen a UAP or a UFO with my own eyes, I'm not going to categorically state that life from out there has come here. But I've changed that," he adds. "I'm now willing to change my mind because of the circumstantial evidence which is overwhelming..."
Spielberg, having long followed reports of alleged alien encounters, was inspired by the 2023 House Subcommittee on National Security hearing on UAPs: Unidentified Anomalous Phenomena. Among the witnesses was whistleblower and former Air Force intelligence officer David Grusch, who testified that the government concealed a program investigating UAPs. The Pentagon then denied it... Those 2023 testimonies and others so fueled Spielberg that he produced a 50-page treatment on what would become "Disclosure Day." During the writing process with Koepp, he texted him more notes, he says, "than I've ever sent to anyone in my life."
"There was a period in there where I believe he re-read the script every single day for a year," Koepp says. "We'd be in different time zones and I would wake up to 30 or 35 texts from his most current reading of the script. When the leader of the project has that level of commitment, it tends to bring along everyone. You up your game."
The article calls it "a grand bookend for one of the most cosmically-minded moviemakers of our time." But the man who filmed some of the world's first summer blockbusters also shared his thoughts on the future of movies. "Even though the numbers are still not pre-COVID level numbers for any films being released now, it's more robust than it has been for many years. The audience gives me belief that people still want to congregate in a dark space in the company of strangers to share an experience of a film made by storytellers. And that gives me faith to continue making films."
Rolling Stone wrote that "There's a lot to love in Disclosure Day." Though they also offer this pithy summary of its plot. "Remember when Steven Spielberg digitally replaced the guns in the hands of government agents for the 20th anniversary of E.T., then expressed regret about the decision? Imagine that he not only restored the weapons but crafted an entire two-and-a-half-hour feature around that one sequence as a mea culpa. That's Disclosure Day."
The filmmaker may be staging a pulpy campaign with this sci-fi throwback, but he sincerely seems to believe the truth is out there — and will set us free... [W]hile the quality of his output can vary wildly when you look at the big picture of his career, there's still a baseline of love — for filmmaking, for storytelling through images, for giving people an experience that pushes emotional buttons and taps adrenal glands — that gives his work a sense of vitality and displays the sensibility of an artist at work...
There's also a weird full-circle feel to it, and not just because he's returning to the fertile ground of Close Encounters and his other science fiction spectacles. You can see traces of everything from Duel to Minority Report show up, to the point where this almost doubles as a career retrospective in miniature... Yes, Spielberg does believe that we are not the only game running in the cosmos. But he also believes that our better angels have not left the building, and that movies still have the power to communally blow minds and open hearts.
The Associated Press calls it "a grand bookend for one of the most cosmically-minded moviemakers of our time" and "a distant answer to the final notes of Close Encounters."
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